 |
| Lot 217 |
217
Continental School, 19th Century.
The Prayer.
Oil on canvas.
40” x 32”.
In elaborate foliate-carved frame.
900 - 1200
218
Louis Heitmuller (Pol./Am., b.1863).
Landscape.
Signed l.l.
Oil on panel.
15 1/4” x 20”.
150 - 250
 |
| Lot 219 |
219
John Thomas Nolf (Am., 1872-1955).
Landscape with Cottage and Figures.
Signed l.l.
Oil on board.
20 3/4” x 15 3/4”.
300 - 600
219A
Contemporary School, 20th Century.
Abstract in Green, White, Blue and Orange.
Oil on canvas.
44” x 48”.
219B
Contemporary School, 20th Century.
Abstract in Tans, Blue and Ivory.
Oil on canvas.
48” x 44”.
220
American School, 19th/20th Century.
Portrait of a Woman Wearing a High Lace Collar and Brooch.
Signed l.l. Wynn.
Oil on canvas.
24” x 18”.
200 - 400
221
American School, 20th Century.
Portrait of a Gentleman Wearing a White Cravat.
Oil on canvas.
relined, restorations.
27 1/4” x 20 1/2”.
200 - 400
222
American School, 20th Century.
Portrait of a Seated Woman with Black Hair.
Signed u.r. JEL.
Oil on canvas.
27” x 22”.
200 - 400
223
American School, 19th Century.
Portrait of Bishop White.
Oil on canvas.
Relined, restorations.
30” x 25”.
200 - 400
224
American School.
Portrait of Captain George Broune Holding a Telescope.
Oil on canvas.
Relined, restorations.
30” x 25 1/4”.
200 - 400
224A
Four French Framed Parisian Costume Prints.
19th century.
Sight: 6 3/4” x 4 1/4”.
224B
Still Life of Flowers.
Gilt frame.
225
American School, 19th Century.
Portrait of a Seated Lady Wearing a Brown Hat.
Oil on canvas.
Relined, restorations.
30” x 25”.
200 - 400
225A
Framed Print of George Washington.
Sight: 20 1/2” x 14 1/4”.
 |
| Lot 226 |
226
John Beale Bordley (Am. 1801-1882).
19th Century.
Portrait of a Mary Glenn (1797-1861).
Plaque on verso with provenance information.
Oil on canvas.
2 4” x 20”.
Prov.: Mary Glenn, daughter of Elias Glenn (1769-1846) and Ann Carson (1770-1847), married David Maulden Perine (1796-1882) August 21, 1794.
This portrait was painted to the order of her son, Elias Glenn Perine (1829-1922) at Homeland, Baltimore, Maryland. It has decended through the family to the present owner.
227
William Frederick Mitchell (Eng., 1845-1914).
Full Sail.
Signed and dated 1885.
Watercolor.
9 1/2” x 13”.
228
Edward Wesson (Eng. b. 1910).
River Thames, London.
Signed l.l.
Watercolor on paper.
10 1/2” x 26 1/2”.
400 - 600
228A
Contemporary School, 20th Century.
Abstract Fisherman and His Catch.
Oil on canvas.
48” x 76”.
228B
Contemporary School, 20th Century.
Souvenir XI...Albuquerque.
Pencil signed l.r. Lenore Miller and dated ‘85, titled l.l.
16 1/2” x 30 1/2”.
 |
| Lot 229 |
229
John James Harway (Eng., 1975-1952).
The Carriage Ride.
Pencil signed l.r., titled l.c., l.l. 44/125.
Oil on canvas.
21 3/4” x 14 3/4”.
800-1200
229A
Julian Trevelyan (b. 1910).
Outside Kampala.
Numbered 44/125.
Color etching.
Sight: 13 1/2” x 19 1/2”.
100-300
 |
| Lot 229B |
229B
Marie Laurencin (Fr., 1883-1956).
La Mort d’Amimee, 1930..
Pencil signed l.c., numbered 102/115 l.l.
Color lithograph, 2nd state.
Catalogue Raisonne de L’Oeuvre Grave de Marie Laurencin, Daniel Marchesseau (1981), page 42, plate 151.
Sight: 11 1//2” x 15 1/2”.
600-800
230
Jean Miro (Fr. 1893-1983).
Abstract.
Lithograph.
Sight: 26” x 19 3/4”.
 |
| Lot 230A |
230A
After Henri Toulouse-Lautrec (Fr., 1864-1901).
Aristide Burant.
Signed l.r., c. 1893, l.l.: 320/500.
Lithograph (from “Café Concert”).
13” x 10 1/2”.
500-700
230B
After Joshua Reynolds (Eng., 1723-1792).
Miss Innocence.
Pencil signed l.r. Frederick Reynolds.
Hand-colored mezzotint.
Sight: 16 1/4” x 13 1/4”.
230C
Framed Art Deco Pochoir Print.
230D
James Carlin (Am., b. 1901).
Christmas.
Signed l.r.
Watercolor on paper.
Sight: 27 1/2” x 19”.
200-300